Thursday, November 21, 2013

That, anyway, is what I have learned.

“Promise me you’ll tell my story” my friend captioned a short video clip he recently shared of his mother speaking to a room full of elementary school students. She was introducing her father, an eighty nine year old former Navajo Code talker and medicine man and advising the students to listen well with a subtle air of urgency, saying “… And to always, always keep it in your heart and in your mind because Grandpa’s getting old now, he’s going to be gone soon, and he won’t be able to tell his stories…” Her father, Samuel Holiday, travels to share his stories and will share them with anyone who wants to listen. He knows the importance of sharing the collective wisdom one regains in a lifetime, and he doesn't want it all to be lost.

Everyone’s heard the stories. Whether from grandparents, teachers, older siblings or friends; we've all been told and touched without hands in some way at some point or another in our lives. I hear stories all day long at work and though the names of clients often elude me, I can always remember something important about or to them. Veterans and farmers, mothers and volunteers; everyone has a story, though some are assuredly more interesting than others, and most people seem almost eager to share their experience. Stories relay information in a way that makes them relatable, leaving a permanent impression on the listener and giving them a nameless something that they can keep with them for the rest of their lives. The stories themselves seem to have an inherent wisdom about them that supersedes any analytic relation of the same notions. Or as Lewis Carroll more simply put it, “No, no! The adventures first, explanations take such a dreadful time”.

The things within stories seem to run through our bloodstream just as naturally as water cutting through the side of a hill. Stories make us feel and connect us to each other; teaching us things through our entire being in a subtle but powerful way that keeps us from forgetting, like we do so many of the lessons we learn with our brain and not our whole bodies. Stories allow us to lose ourselves in someone else and return home with a little piece of their wisdom added to our beings. They breathe life and motion into us in places where we did not even know we had never been before. We are, it seems, only an accumulative sum of our experience and our reaction to each; and stories allow us to gain experience which we otherwise may not have access to, or which we do not desire to experience. A good story holds within it some piece of the very essence of life, making it resound within us for an extended time after, the way only a truly illuminating tale can.

Once you swallow the story, whether it’s true or not doesn't even matter anymore; what matters is that you are forever changed. At this point the line between fiction and reality seems to lose its importance. There can be truth in the story whether the story is true itself, and perhaps it can even be said that it is often easier to find the truth in fiction than in reality, as reality can tend to be a complicated assortment of messes.

So through the real or imagined adventures of another, you can acquire one more memory to add to the collections of illusions you've accumulated inside the attic of your being. The sum of these experiences makes you who you are today, who you were yesterday, and who you will be fifty years from tomorrow. And whether you remember where you picked up that bit of knowledge fifty years from now won’t matter, whether from a friend, a dream or a novel. It will just be a little piece of you that you can share as well.

It seems to me that the most important things in life cannot be explained in any other way than through story. Non-narrative words often fail when trying to illuminate the sentiment and meaning behind our movement through the erratic force which is life; but a good story rings as true and pervasive as a storm peeling itself off the mountains and pushing across the valley, commanding everything in its path. Stories keep us present and empathetic, giving us meaning and relevance in a harsh and tragic world. So what is the moral behind our mythological heritage? What do we learn through the punishments of the jealous or negligent gods? Through the feats and misdeeds of our heroes? Through the tangled web of tragedy that we call mythology. Is the purpose really as simple as “because the gods get bored with men who have no stories” (p. 387, Calasso)? As Yeats says, “Things fall apart the center cannot hold, mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned” and so we find ourselves in the middle of it all. And that, I suppose, is why we keep walking; keep moving, running from room temperature as it means nothing but a flat-lined heartbeat, and anything, at least, is better than that. And I suppose that’s why we find solace in our stories and mythologies; because, like Harmony, we learn that we “need not fear the uncertain life opening up before” us. As she realized, “whichever way her wandering husband went, the encircling sash of myth would wrap around the young Harmony. For every step, the footprint was already there” (p. 383, Calasso). And what do we ever really have to fear if someone else has already gone through it before us?


Life is but a myth – the volatile and ever-changing veil of perspectives and reactions which we choose to believe. It seems that in the end, we all die. And along the way, of course, we all experience love and loss. And the things that stick with us ‘til death are the things that moved us, changed us, shaped us into whatever forms we allowed them to make of us. And that, it seems to me, is the essential truth in any myth. The often shocking and appalling truths which make life as we know it, because life for us is as it is for the Machiguengas, in that “history marches neither forward nor backward: it goes around and round in circles” (p. 240, Llosa).

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